London, United Kingdom,
26
August
2021
|
15:04 PM
Europe/Amsterdam

Artists Marina Abramović, Fyodor Pavlov-Andreevich, and Nico Vascellari In Conversation with Masterworks from Antiquities to Modern Era In New Exhibition Opening at Colnaghi London This September

Featuring A Significant Portrait by Velázquez among Other Historic Works Alongside New Installation, Photography, and Video, Humble Works Illuminates Artistic Through-lines and Creative Dialogues Across Centuries and Media

Artists and friends Marina Abramović, Nico Vascellari, and Fyodor Pavlov-Andreevich exhibit a group of new works created in response to and presented in dialogue with a series of masterworks spanning from antiquity to the Modern era at Colnaghi London this autumn. On view from 17 September through 22 November 2021, Humble Works explores creative synergies among artists across different ages, eras, media, and geographies, and reflects Colnaghi's commitment to cross-category presentations and collecting.

Taking its name from the sense of humility that one feels when confronted with rare masterpieces, Humble Works presents new installation, photography, and sculpture by Abramović, Pavlov-Andreevich, and Vascellari displayed alongside historic paintings and objects of the artists' choosing, each in its own space within Colnaghi’s London gallery. Presented together, the three artists’ personal experiences and creative responses explore shared themes of friendship, immaterial connections, and collective will.

A highlight of the exhibition is the presentation of Diego Velázquez’s full-length portrait of Mother Jerónima de la Fuente from 1620, rarely seen on public view in the U.K. The imposing depiction of the Spanish nun from the order of the Poor Clares is regarded as a leading example of the artist’s unparalleled skills as a portraitist. Abramović will respond to Velásquez with a range of new and existing works including a suite of photographic works and a site-specific installation.

In adjoining rooms, Pavlov-Andreevich's large-scale sculpture installation takes inspiration from an Etruscan burial urn (6th century B.C.E.) evoking concepts of memory and memorialization, and Vascellari creates a series of intricate mixed-media works in response to a bronze Corinthian-type helmet with stylized horns from the early Classical Period (500 - 450 B.C.E.), worn by Greek infantrymen to intimidate opponents in battle, as well as a painting by Italian postwar abstractionist and polymaterialist Alberto Burri (Rosso gobbo, 1953). The three contemporary artists additionally are presenting a selection of new and recent drawings and works on paper to be displayed together at Colnaghi.

'A central part of Colnaghi’s mission is to highlight art historical threads that connect objects from different time periods and categories, drawing them together in a manner that leads to exciting juxtapositions and discoveries,' said co-CEO and owner Victoria Golembiovskaya. 'Humble Works takes this concept one step further: for the first time, we are presenting new works created in direct response to paintings and objects of historical significance and where this cross-category dialogue and creative inspiration becomes the primary theme of the exhibition.'

Added Senior Global Director Chloe Stead, 'The title of this show, Humble Works, was collaboratively set by Marina, Nico, and Fyodor. Their choice of words indicates the awe with which we approach great masterpieces of antiquity, or great Old Master or Modern works. It is our privilege to present these artist’s deeply personal artistic responses to their selected masterpieces in this unique site-specific exhibition. I hope that visitors will find the juxtapositions and dialogues between the works thought-provoking, perhaps provocative, but certainly rewarding.'

 

ABOUT THE ARTISTS

Marina Abramović

Since the beginning of her career in Belgrade during the early 1970s, Marina Abramović has pioneered performance art, creating some of the form's most important early works. Exploring her physical and mental limits, she has withstood pain, exhaustion and danger in

her quest for emotional and spiritual transformation. She founded the Marina Abramović Institute (MAI) in 2007, a platform for immaterial and long durational work to create new possibilities for collaboration among thinkers of all fields.

Abramović was awarded the Golden Lion for Best Artist at the 1997 Venice Biennale. In 2010, Abramović had her first major US retrospective and simultaneously performed for over 700 hours in The Artist is Present at the Museum of Modern Art in New York. Her retrospective The Cleaner opened at Moderna Museet, Stockholm, in 2017, and toured to seven additional European venues, ending at the Museum of Contemporary Art, Belgrade, Serbia, in 2019. In 2020, the Bayerische Staatsoper presented the world premiere of 7 Deaths of Maria Callas, which has continued to tour internationally. In 2023 she will present the solo exhibition After Life at the Royal Academy, London, and will become the first female artist in the institution’s 250-year history to occupy the entire gallery space with her work. She will also present two shows at Lisson Gallery London this autumn, in Cork Street and Lisson Street.

 

 

Fyodor Pavlov-Andreevich

Fyodor Pavlov-Andreevich is a visual artist, curator and theatre director. Exploring a distance between a work of art and its audience, he creates performances, films and site-specific installations, as well as objects, guerrilla actions and long-durational works. One of his first works was My Mouth Is a Temple (2009) curated by Hans Ulrich Obrist and Maria Balshaw and shown at Manchester International Festival as part of ‘Marina Abramović Presents’ (along with Nico Vascellari where the two artists first met). Pavlov-Andreevich’s most renowned live installation, Performance Carousel, was first shown in 2014 at Faena Arts Center in Buenos Aires and received Grand Prix at Kuryokhin Art Prize in 2014 (shared with Ragnar Kjartansson).

Solo presentations by the artist include Deitch Projects (2009, NYC), Garage Museum (2010, Moscow), CCBB (2015, Brasilia), Künstlerhaus Wien (2016, Vienna), Museu de Arte Contemporânea MAC-USP (2017) and SESC (2018, both São Paulo), Palais de Tokyo (2018, Paris), Gazelli Art House (2019, London) and Ground Solyanka (Moscow, 2021). Completing the 5th episode of his best known guerrilla work, The Foundling, at the Met Gala in NYC, Pavlov-Andreevich was arrested and put in jail (2017). Pavlov-Andreevich’s works belong to various institutional (MAR, Rio de Janeiro, and MMoMA, Moscow, amongst them) and many private collections globally.

 Pavlov-Andreevich lives and works between Moscow, London, and São Paulo.

 

Nico Vascellari

Considered one of the most significant Italian artists of his generation, Nico Vascellari is constantly bridging diverse and heterogeneous mediums in his work, including performance, sculpture, video art, as well as large-scale multimedia works investigating the relationship between nature and mankind.

Amongst his most significant solo exhibitions are those that were shown at: MAXXI | Museo nazionale delle arti del XXI secolo, Rome (2018); Palais De Tokyo, Paris (2017); Whitworth Art Gallery, Manchester (2016); Accademia di Francia - Villa Medici, Rome (2016); Estorick Collection, London (2016); National Gallery of Arts, Tirana (2015); Museion, Bolzano (2010); Museo MAN, Nuoro (2007); and Skuc, Ljubljana (2006). He has also participated: 58th October Salon, Belgrade Biennale (2021); 15th Lyon Biennale (2019); 12th Architecture Biennale in Venice (2010); Manifesta 7 (2008); 15th Quadriennale in Rome (2008); and the 52nd Venice Biennale (2007). His work is part of numerous and prestigious public and private collections. Vascellari lives and works in Rome.

 

Photography Acknowledgement

Colnaghi is grateful to His Excellency Monsignor Paolo Schiavon, Emeritus Bishop of Rome, rector of the Church of Sant'Agnese in Agone, Piazza Navona, Rome, the Vicariato of Rome and the Italian Ministry of Culture - Soprintendenza Speciale Archeologia Belle Arti e Paesaggio di Roma, for allowing the use of the Sant'Agnese in Agone, a 17th-century Baroque church and architectural wonder, as a backdrop to photograph the artists in July 2021. 

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