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19:37 PM

Park Avenue Armory Announces Full Cast for Robert Icke’s Hamlet and Oresteia, Starring Alex Lawther and Lia Williams

Icke’s Contemporary Adaptations Shed New Light on Classic Dramas


June 1 – August 13, 2022



Park Avenue Armory today announced the full ensemble for the North American premieres of Robert Icke’s award-winning contemporized productions of William Shakespeare’s Hamlet and fresh adaptation of Aeschylus’ Oresteia, performed in repertory by a single British company in the grand Wade Thompson Drill Hall this summer.

Hamlet stars Alex Lawther (Film: The Imitation Game, TV: Black Mirror, Stage: The Tempest, South Downs) who makes his New York stage return in one of the most challenging psychological roles in theater. Lawther made his stage debut in the critically lauded West End production of South Downs and was most recently seen in Peter Brook’s production of The Tempest.

Lia Williams (TV: The Crown, His Dark Materials, Stage: Skylight) returns to Oresteia for the first time since her 2015 Oliver-nominated performance as Klytemnestra, the complicated tragic figure. Williams will also take on the role of Gertrude in Hamlet.

The principal cast features West End stage veterans portraying some of the most iconic roles in tragedy. Most of these actors play parts in both productions, including Angus Wright (TV: The Crown, Flowers Stage: War Horse, 1984) as Claudius and Agamemnon/Aegisthus; Olivier Award-winner Luke Treadaway (Stage: The Curious Incident of the Dog in the Night-Time) as Laertes and Orestes; Kirsty Rider (Stage: The Great Wave, Pride and Prejudice) as Ophelia; Peter Wight (TV: The Crown, Stage: Electra) as Polonius and Menelaus; and Joshua Higgott (Film: Bohemian Rhapsody, The Machine) as Horatio and Talthybius.

This full ensemble also includes Michael Abubakar (Film: Artemis Fowl, Stage: The Tragedy of Macbeth), David Rintoul (TV: The Crown, Stage: Macbeth), Tia Bannon (Film: The Drifters, Stage: Losing Venice), Calum Finlay (Film: Amazon Adventure, Stage: A Midsummer Night’s Dream), Hara Yannas (Stage: Animal Farm, The House of Bernarda Alba), Gilbert Kyem Jnr. (Stage: Lest we Forget, Incriminating Objects), Ross Waiton (Film: Skyfall, Stage: King Lear), and Marty Cruikshank (Stage: Richard II, After Electra). Full casting is listed below.

“Led by Alex Lawther and Lia Williams, this exceptionally talented ensemble will bring to life these timeless, well-known characters in a way that feels relevant and immediate to contemporary audiences. Robert Icke’s complete reimagining of these two great classics is a theatrical event not to be missed,” said Pierre Audi, the Armory’s Marina Kellen French Artistic Director

“It is no small feat to stage one epic tragedy, but this stellar cast, under the singular direction of Robert Icke, will bring two to life at once. The Armory is delighted to partner with Icke in his return to the Armory for the North American premieres of these acclaimed adaptions, never before seen in repertory,” added Rebecca Robertson, Founding President and Executive Producer of Park Avenue Armory

Icke’s Hamlet and Oresteia originated at the internationally acclaimed Almeida Theatre, which was founded in 1979 by Audi. At the Armory, the productions will play in repertory for the first time, allowing audiences to experience the throughlines and connections Icke explores in his pairing of these classic dramas—depicting two epic family sagas written over 2,000 years apart—which will be performed by the same cast. In his adaptations, Icke bridges antiquity and the contemporary to create worlds that enhance the psychological drama in classic texts; blurring the lines between public and private life in Hamlet, and heightening the courtroom tensions in Oresteia.

The ubiquity of Hamlet on the British stage allows the full creative force of the seasoned Shakespearean troupe to re-interpret these recognizable roles with modern elements and a stark reflection of the time. While often considered an intimidating role for many actors, Lawther brings a focused and wholly original portrayal of the brooding Danish prince to the Drill Hall.

Icke's contemporary adaptation of Aeschylus's seminal tragic trilogy was acclaimed in London and has since been performed around the world. In a modern context, Oresteia brings the prophecies and wartime violence of the ancient Greeks into startling focus, and lays bare the cyclical interplay between loss, grief, revenge, and justice within one fated family.


Alex Lawther, Hamlet
Lia Williams, Gertrude / Klytemnestra
Tia Bannon, Guildenstern / Electra
Luke Treadaway, Laertes / Orestes
Angus Wright, Claudius / Agamemnon, Aegisthus
Michael Abubakar, Marcellus / Calchas
Josh Higgott, Horatio, U/S Hamlet / Talthybius, U/S Orestes
Peter Wight, Polonius / Menelaus
David Rintoul, Player King / Ghost
Kirsty Ryder, Ophelia / Doctor
Calum Finlay, Rosencrantz / U/S Laertes
Hara Yannas, Bernardo, Priest / Cassandra, Athene
Gilbert Kyem Jnr, Reynaldo
Ross Waiton, Francisco, Player 3, Gravedigger
Marty Cruikshank, Player Queen, Attendant / Cilissa, Fury

Hamlet and Oresteia are part of Park Avenue Armory’s full 2022 season. Additional upcoming Drill Hall programming at the Armory includes: Monochromatic Light (Afterlife) (September 27-October 8, 2022), a new commission by musician and composer Tyshawn Sorey that pays homage to Morton Feldman’s iconic composition for the dedication of Houston’s Rothko Chapel 50 years ago, with director Peter Sellars reimagining the work with a new staging designed for the Drill Hall featuring works by visual artist Julie Mehretu; the debut of an Armory-commissioned immersive film installation, Euphoria (November 30-January 1, 2023), by German video and film artist Julian Rosefeldt that takes aim at the destructive potential of capital, money, greed, and consumption, featuring original music composed by Samy Moussa and performed by an ensemble of jazz drummers and singers from the Brooklyn Youth Chorus.


Tickets sold separately for each production. For a full schedule of performances, please visit


North American premiere

A Park Avenue Armory and Almeida Theatre Production

This production had its world premiere at The Almeida Theatre in London
Produced by The Almeida Theatre and produced in the West End by Ambassador Theatre Group and Sonia Friedman Productions

By William Shakespeare
Direction Robert Icke
Sets and Costumes Hildegard Bechtler
Lighting Natasha Chivers
Sound Tom Gibbons
Video Tal Yarden

Previews: June 1 – June 25

Performances: June 28 – August 13
Evenings at 7:00 p.m.; Matinees at 1:00 p.m.
Dates will vary. Please check the website for a full Hamlet schedule.


North American premiere
A Park Avenue Armory and Almeida Theatre Production

This production had its world premiere at The Almeida Theatre in London
Produced by The Almeida Theatre and produced in the West End by Ambassador Theatre Group and Sonia Friedman Productions

After Aeschylus, in an adaptation by Robert Icke
Direction Robert Icke
Sets and Costumes Hildegard Bechtler
Lighting Natasha Chivers
Sound Tom Gibbons
Video Tim Reid

Previews: June 9 – June 20

Performances: June 21 – August 13
Evenings at 7:00 p.m.; Matinees at 1:00 p.m.
Dates will vary. Please check the website for a full Oresteia schedule.


Tickets start at $45 and can be purchased at
(212) 933-5812
Park Avenue Armory
643 Park Avenue at 67th Street, New York, NY 10065


Citi and Bloomberg Philanthropies are the Armory’s 2022 Season Sponsor.

Support for Park Avenue Armory’s artistic season has been generously provided by the Charina Endowment Fund, the Donald A. Pels Charitable Trust, The Harold and Mimi Steinberg Charitable Trust, the Fan Fox and Leslie R. Samuels Foundation, the Howard Gilman Foundation, the Horace W. Goldsmith Foundation, The Shubert Foundation, The Emma and Georgina Bloomberg Foundation, the Marc Haas Foundation, the Leon Levy Foundation, the May and Samuel Rudin Family Foundation, Gregory Annenberg Weingarten, GRoW @ Annenberg, the Richenthal Foundation, and the Isak and Rose Weinman Foundation. Additional support has been provided by the Armory’s Artistic Council.


Robert Icke is an award-winning writer and theater director best known for his modern adaptations of classic texts. Recent original productions include Enemy of the People at Park Avenue Armory (2021), Oedipus and After Nora at Internationaal Theater Amsterdam (2020, 2018), and The Doctor, based on Arthur Schnitzler’s Professor Bernhardi at the Almeida Theatre in London (2019). Other recent productions include Anton Chekhov’s Ivanov at Schauspiel Stuttgart (2019) and William Shakespeare’s Hamlet at the Almeida Theatre and West End (2017).

In 2018, Icke won the Kurt Hübner Award for his debut production in Germany, an adaptation of Oresteia, and was elected Fellow of the Royal Society of Literature. He is the youngest ever winner of the Olivier Award for ‘Best Director’ for Oresteia (2015), which also won the ‘Best Director’ prize at both the Critics’ Circle and Evening Standard Theatre Awards.


Alex Lawther is best known for his acclaimed roles in The Last Duel, the third series of Charlie Brooker’s Black Mirror, and in The End of the F***ing World. He made his screen debut as the young Alan Turing in the Oscar-winning film, The Imitation Game, for which he was nominated for the “Best British Newcomer” Award at the BFI London Film Festival. 

He was also the recipient of the Best Actor Award at the 2016 Dublin International Film Festival for his performance as “Elliot” in the British film Departure. Lawther’s other screen credits include Fox Searchlight’s The French Dispatch; Fox Searchlight’s Goodbye Christopher Robin; and a starring role in BBC One’s adaptation of Howards End in 2017, based on the classic E.M. Forster novel and adapted by screenwriter and playwright Kenneth Lonergan. His theater credits include: David Hare’s South Downs (Minerva Theatre; Harold Pinter Theatre); Ali Taylor’s Fault Lines (Hampstead Theatre); Martyn Hesford's The Glass Supper (Hampstead Theatre); Crushed Shells and Mud (Southwark Playhouse); The Jungle (Young Vic, The Playhouse Theatre, and St. Ann’s Warehouse in Brooklyn); and The Tempest (Caliban/Ferdinand, Théâtre des Bouffes du Nord).


Lia Williams is an English actor and director, known for her work in theater, film, and television. Her theater credits include: The Night of the Iguana (Noel Coward Theatre); The Prime of Miss Jean Brodie (Donmar Warehouse); The Lover, The Collection (Donmar Warehouse); Mary Stuart (Almeida/Duke of York’s); Oresteia, for which she was nominated for an Olivier Award for Best Actress (Almeida/Trafalgar Studios); Old Times (Harold Pinter); Arcadia (Ethel Barrymore, NY); Skylight, which garnered Tony and Olivier nominations (NT/Royale, NY). Her film credits include The ForeignerThe Christmas Miracle of Jonathan Toomey; Girl from Rio; The King Is Alive; Different for Girls; The Fifth Province; Firelight; and Dirty Weekend. Her television credits include: Death in Paradise; Riviera; The Capture; His Dark Materials; The Crown; Kiri; The Silkworm; The Missing; Secret State; Doc Martin; May 33rd (Bafta Best Actress nomination); The Russian Bride (FIPA Best Actress Award); Imogen’s Face; Shot Through the Heart; Flowers of the Forest; and Seaforth.


Part palace, part industrial shed, Park Avenue Armory fills a critical void in the cultural ecology of New York, supporting unconventional works in the performing and visual arts that cannot be fully realized in a traditional proscenium theater, concert hall, or white wall gallery. With its soaring 55,000-square-foot Wade Thompson Drill Hall and an array of exuberant period rooms, the Armory enables a diverse range of artists to create, students to explore, and audiences to experience epic, adventurous, relevant work that cannot be done elsewhere in New York.

Programmatic highlights from the Wade Thompson Drill Hall include Ernesto Neto’s anthropodino, a magical labyrinth extended across the Drill Hall; Bernd Alois Zimmermann’s harrowing Die Soldaten, in which the audience moved “through the music”; the event of a thread, a site-specific installation by Ann Hamilton; the final performances of the Merce Cunningham Dance Company on three separate stages; an immersive Macbeth set in a Scottish heath with Kenneth Branagh; WS by Paul McCarthy, a monumental installation of fantasy, excess, and dystopia; a radically inclusive staging of Bach’s St. Matthew Passion staged by Peter Sellars and performed by Sir Simon Rattle and the Berliner Philharmoniker; eight-time Drama Desk-nominated play The Hairy Ape, directed by Richard Jones and starring Bobby Cannavale; Hansel & Gretel, a new commission by Ai Weiwei, Jacques Herzog, and Pierre de Meuron about privacy and surveillance; FLEXN and FLEXN Evolution, two Armory-commissioned presentations of the Brooklyn-born dance-activist group the D.R.E.A.M. Ring, created by Reggie “Regg Roc” Gray and director Peter Sellars; Simon Stone’s heralded production of Yerma starring Billie Piper in her North American debut; The Let Go, a site-specific immersive dance celebration by Nick Cave; Satoshi Miyagi’s stunning production of Antigone set in a lake; Sam Mendes’ critically acclaimed production of The Lehman Trilogy; the Black Artists Retreat hosted by Theaster Gates, which included public talks and performances, private sessions for the 300 attending artists, and a roller skating rink; Deep Blue Sea by Bill T. Jones and the Bill T. Jones/Arne Zane Dance Companies; The Shape of Things, a multi-work installation, convening, and performance series by Carrie Mae Weems; and Assembly, an immersive work by interdisciplinary artist Rashaad Newsome. Productions in the Armory’s Social Distance Hall included works by Bill T. Jones; David Byrne, Christine Jones, and Steven Hoggett; Laurie Anderson and Robert Icke.

In its historic period rooms, the Armory presents more intimate performances and programs, including its acclaimed Recital Series, which showcases musical talent from across the globe within the intimate salon setting of the Board of Officers Room; the Artists Studio series curated by MacArthur “Genius” and jazz phenom Jason Moran in the newly restored Veterans Room, which features a diverse array of innovative artists and artistic pairings that reflect the imaginative improvisation of the young designers and artists who originally conceived the space; and a Public Programming series that brings diverse artists and cultural thought-leaders together for discussion and performance around the important issues of our time viewed through an artistic lens.

Among the performers who have appeared in the Recital Series and the Artists Studio in the Armory’s restored Veterans Room and the Board of Officers Room are: Christian Gerhaher; Ian Bostridge; Jason Moran; Lawrence Brownlee; Barbara Hannigan; Lisette Oropesa; Roscoe Mitchell; Conrad Tao and Tyshawn Sorey; Rashaad Newsome; and Krency Garcia (“El Prodigio”).

Highlights from the Public Programming series include: symposiums such as Carrie Mae Weems’ daylong event called The Shape of Things, whose participants included Elizabeth Alexander, Theaster Gates, Elizabeth Diller, and Nona Hendryx; a daylong Lenape Pow Wow and Standing Ground Symposium held in the Wade Thompson Drill Hall, the first congregation of Lenape Elders on Manhattan Island since the 1700s; salons such as the Literature Salon hosted by Branden Jacobs-Jenkins, whose participants included Lynn Nottage, Suzan-Lori Parks, and Jeremy O. Harris, and a Spoken Word Salon co-hosted with the Nuyorican Poets Cafe; and most recently, 100 Years | 100 Women, a multiorganization commissioning project that invited 100 women artists and cultural creators to respond to women’s suffrage.

Current Artists-in-Residence at the Armory include two-time Pulitzer Prize-winning playwright Lynn Nottage; Obie winner and Pulitzer short-listed playwright Branden Jacobs-Jenkins and Carmelita Tropicana; Reggie “Regg Roc” Gray and the D.R.E.A.M. Ring; singer and composer Sara Serpa; Tony Award-winning set designer and director Christine Jones and choreographer Steven Hoggett; and Mimi Lien, the first set designer to receive a MacArthur Fellowship. The Armory also supports artists through an active commissioning program including such artists as Bill T. Jones, Lynn Nottage, Carrie Mae Weems, Michel van der Aa, Tyshawn Sorey, Rashaad Newsome, Julian Rosefeldt, Branden Jacobs-Jenkins, and others.

The Armory also offers creativity-based arts education programs at no cost to thousands of students from underserved New York City public schools, engaging them with the institution’s artistic programming and outside-the-box creative processes. Annually, more than 5,000 young adults from 50+ under-resourced public schools attend a dedicated student matinee of each Armory production with workshops by Master Teaching Artists provided in the classroom and at the site. In seven partner schools, Teaching Artists facilitate in-depth semester- or year-long residencies that support the schools’ curriculum. Youth Corps, the Armory’s year-round paid, monitored internship program, begins in high school and continues into the critical post-high school years, providing interns with over 14,000 hours per year of mentored employment, job training, and skill development, as well as a network of peers and mentors to support their individual college and career goals.

The Armory is undergoing a multi-phase renovation and restoration of its historic building led by architects Herzog & de Meuron, with Platt Byard Dovell White as Executive Architects.


Media Contacts

For more information or to request images, please contact Resnicow and Associates:

Josh Balber, or (212) 671-5175
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Jenny Levine, or (212) 671-5189