Harlem, NY,
18:57 PM

The Apollo and New Black Fest Present 18 Short Plays to Reflect on Harlem Renaissance, Past and Present, Live and In-Person April 22-25

Works presented as part of Apollo’s First-Ever Major Commissioning Initiative, 
Apollo New Works

This month marks the launch of New Black Fest at the Apollo, a festival celebrating contemporary Black playwrights from across the nation. On April 22, 23, and 25 at 7pm, audiences will have the opportunity to see original works by 18 playwrights, each commissioned by the Apollo and New Black Fest co-founder Keith Josef Adkins. These commissions focus on how the artists of the Harlem Renaissance responded to their historical landscape, as well as how contemporary creatives are dealing with today’s issues in their own work. The festival also marks the first public presentation from the non-profit theater’s Apollo New Works initiative, a groundbreaking series of commissions dedicated to the creation of a diverse, 21st-century American performing arts canon. Tickets for each evening are $25.

The New Black Fest was founded in 2010 as a means to celebrate, advocate for, and showcase diverse and provocative work of Black theater artists from across the African Diaspora. Each evening will consist of six ten-minute readings. This year’s participating playwrights include Lee Edward Colston II, Lady Dane Figueroa Edidi, James Ijames, Eric Micha Holmes, James Scruggs, Zora Howard, Lisa Rosetta Strum, Dahlak Brathwaite, Kareem Lucas, Donja R. Love, Lauren Whitehead, Dennis A. Allen II, Liza Jessie Peterson, Chisa Hutchinson, Michael Bradford, France-Luce Benson, Christina Anderson, and Mfoniso Udofia.

“The Apollo has long been committed to presenting new works and partnering with organizations that share our core values to engage with our community and leverage the Apollo’s platform to give opportunities to emerging artists. We’re thrilled to be working with Keith Josef Adkins on the New Black Fest this year and are eager to share the projects that have grown out of Apollo New Works,” said Executive Producer of the Apollo, Kamilah Forbes.

Part of the weekend’s programming is a free panel discussion on Saturday, April 23 at 3pm, featuring community activist Robyne Walker-Murphy in conversation with award-winning playwright and screenwriter Zora Howard and multidisciplinary artist and Associate Director of Harlem Stage Carl Hancock Rux. During this discussion, Walker-Murphey will explore the impact and transformative power of Black artists.

TICKET INFO              
Tickets for each evening of the New Black Festival at the Apollo are $25 at www.ApolloTheater.org and in-person at the Apollo Box Office. Patrons needing additional assistance purchasing tickets should contact the Apollo Box Office at access@apollotheater.org or (212) 531-5305.

The health and safety of our audiences, artists, and staff is the Apollo’s top priority. Please note that all attendees must present a government-issued picture ID prior to entry and show a completed vaccination card authorized by the FDA or WHO against COVID-19 (dated at least 14 days before the show). Proof of vaccination can be displayed on smartphones. Proof of vaccination may also include a CDC Vaccination Card (or photo), NYC Vaccination Record, or an official immunization record from outside New York City or the United States. Photo ID for children under 12 will not be required if they are accompanied by parents/guardians with government-issued photo ID. All attendees are required to wear masks inside the theater. For a complete list of the Apollo’s COVID-19 safety protocols, please visit www.ApolloTheater.org.

KEITH JOSEF ADKINS is a playwright, screenwriter and artistic director. His Great Migration play, The West End, had its world premiere in October at Cincinnati Playhouse in the Park and was a finalist for the 2022 Steinberg-ATCA New Play Award. Keith's other plays include The People Before the Park, Safe House, Pitbulls, the Last Saint on Sugar Hill, among others. His plays have been produced Off-Broadway and regionally. Keith's the recipient of the Helen Merrill Playwriting Award, Samuel French's Award for Impact and Activism in the Theater Community as well as National Black Theater's Teer Spirit Award. He is also the artistic director of The New Black Fest, a 12-year-old theater organization committed to fostering insurgent voices from the African Diaspora. The New Black Fest was in residence at the Lark Play Development Center for six years and has commissioned three social justice anthologies, including Facing Our Truth and Hands Up---both published by Samuel French/Concord Theatrical and produced all over the country. Hands Up was also presented as a radio play for the BBC in London. A recent Black Seed grant recipient, Keith was commissioned by the Apollo Theater to help program their inaugural season at their new Victoria Theater. Keith’s TV writing credits include P-Valley on Starz, Netflix's Outer Banks, ABC's For The People, The Good Fight on CBS. He's currently writing on a new series about pre-colonial Africa for Lionsgate and developing TV projects with JJ Abrams' Bad Robot, and with Don Cheadle/Steven Soderbergh for HBO Max. Keith’s feature film with Gamechanger Films/Blumhouse will drop on Halloween by Amazon.

The legendary Apollo Theater—the soul of American culture—plays a vital role in cultivating emerging artists and launching legends. Since its founding, the Apollo has served as a center of innovation and a creative catalyst for Harlem, the city of New York, and the world.

With music at its core, the Apollo’s programming extends to dance, theater, spoken word, and more. This includes the world premiere of the theatrical adaptation of Ta-Nehisi Coates’s Between the World and Me and the New York premiere of the opera We Shall Not Be Moved; special programs such as the blockbuster concert Bruno Mars Live at the Apollo; 100: The Apollo Celebrates Ella; and the annual Africa Now! Festival. The non-profit Apollo Theater is a performing arts presenter, commissioner, and collaborator that also produces festivals, large-scale dance and musical works organized around a set of core initiatives that celebrate and extend the Apollo’s legacy through a contemporary lens, including the Women of the World (WOW) Festival as well as other multidisciplinary collaborations with partner organizations.

Since introducing the first Amateur Night contests in 1934, the Apollo has served as a testing ground for new artists working across a variety of art forms and has ushered in the emergence of many new musical genres—including jazz, swing, bebop, R&B, gospel, blues, soul, and hip-hop. Among the countless legendary performers who launched their careers at the Apollo are Ella Fitzgerald, Sarah Vaughan, Billie Holiday, Gladys Knight, Luther Vandross, H.E.R., D’Angelo, Lauryn Hill, Machine Gun Kelly, and Miri Ben Ari; and the Apollo’s forward-looking artistic vision continues to build on this legacy. For more information about the Apollo, visit www.ApolloTheater.org.

# # #